On the original score by Marc Álvarez, the sixteen dancers of Aterballetto tell the story of Don Juan in a single act.
In the choreography, capable of underlining nuances and emotions, we find all the characters of the story, from Donna Elvira to Donna Anna to Zerlina and Masetto. The dance becomes a magnifying glass of the individual characters and revealing the interior world of the men and women on stage in a subtle but evident way.
Even more important is the connection with contemporaneity and relevant themes appear in the background, including the complexity of the dialogue between genres.
Through an innovative psychoanalytic and Freudian reading, Don Giovanni's relationship with the figure of the Commendatore is rewritten, replaced by the introduction of a "Mother". And Don Giovanni becomes a human being who probably suffered the great trauma of maternal abandonment. In every encounter with the other, the serial lover looks for his mother and therefore cannot engage in any relationship or situation.