The works of Salvatore Amelio in the exhibition entitled ' Luce concreta'/'Concrete Light'.
His works seem to portray and often anticipate the dismemberment of the form that did not concern only the Pergamos Altar.
The gesture of a figure, the torsion of a known body ( which comes from the repertoire of ancient painting) which is suspended a moment before its detachment from the other parts.
Thus also the drawings and the paintings appear as projects for a sculptural thought that investigates that laceration of the Art, preferring swirling and spiral morphologies that look like reconstructed fragments.
Standing out against a cloudy sky, those plastic elements, although incomplete, retain a dynamic energy; indeed, it is perhaps the condition of exploded parts that gives them a kinetic development.
Inauguration: Saturday 13 April at 5.30 pm
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