J. S. Bach, Biber, Marini, Corelli: four protagonists of baroque music that no one would associate with the harp, but who worked in environments where the harpist activity is widely testified and in which a repertoire for a single harp, although certainly existed, has never been written. Starting from these premises an ambitious project is born, fruit of a long research on the sources. It reveals that the repertoire of the violin, an instrument that shares many idiomatic characteristics with the harp, has represented a source from which to draw in the executive practice. Hence the idea of ​​adapting for the harp, pieces of extreme violin virtuosity, thus giving new life to famous music, which here are illuminated by unexpected reflections and unknown veils.